
“It’s not just my creation at this point, and it hasn’t been really for a long time, “I wanted it to be our creation. Once you set that in motion, it’s a large community of people gathered around a core set of values."
Bruce Springsteen
zaterdag 31 januari 2009
striving for inclusion
woensdag 22 oktober 2008
What do we do now? Help Obama during first 100 days in office
The above clip was the inspiration;
Obama is the side chosen;
maandag 13 oktober 2008
weapon of choice pt 4: stuck for inspiration
Oasis are mad for the Beatles.
Little Steven has love for garage rock.
Nickelback are stuck in the Seatle grunge sound.
When it comes to inspiration I have to admit I am also stuck.
Certain albums, movies, books always seem to offer up deeper insight than the last time I checked them out.
Same goes for the era in advertising called "the creative revolution". The time of Bernbach, Krone, Lois, Koenig, Callaway, Della Femina, Gossage.
Although the current times offer up a great deal of stimuli, food for thought and are truly interesting times, when in comes to all out-aim for another universe- type inspiration the 60's are my era.
Perhaps it's the fact that they were pioneers, troublemakers and the art of advertising was held in higher esteem. Sure it's a sentimental view, and there was shite back then, but still..
But strip all that away and what get's me everytime is the power and abundance of the ideas. Some would say that it was also the era of the mass media, and you could buy your way into popular demand.
Perhaps. But mostly thought it is the sheer audacity and freshness (after all these years) that stands out. There is no need to contexualize the work (like say some of the work that was done prior). There is no need to explain the thinking behind it. it speaks for itself.
So here's to the brave admen and brave clients, to sharp ideas and great execution.
And here's to hoping that the next decade out shines the 1960's. It's about time, don't you think.
maandag 15 september 2008
the power of words
Watching a regional football derby yesterday it struck me: these players were more ferocious, more physical, more inclined to play rough, to do whatever it took to win that derby not because of what the derby meant to both teams. It was because of what the word derby means. period.
It is this implicitness, the context of the word that these players understood. The reff understood, the crowd understood. Derby = hard play, full of fouls, at breakneck pace. More was allowed, because of the frame it was presented in.
Briefing is one of those words that lately has frustrated me. If say the agency we work with gives feedback about the briefing they received it somehow always revolves around questions of format, channel choice, pay off. It seems that the auto pilot kicks in whenever they hear the word briefing, and it takes them back to when they learned about it in school. Briefing = ......
Words. Context. We often glance over it, but once you get down to the nitty gritty of it, it is powerfull. Especially when the implicit meaning is understood but not articulated. When the illusion of civility is upheld or explicitly removed.
They can grant us room to grow or close our way of thinking down.
Exploring vs Drilling for oil
Immigrant vs illigal Alien
Words dictacte so much of the space we can, allow ourselves to take, and can help us articulate the reasons behind actions not explicitly mentioned, that a dictionary is this marketeers new friend. Perhaps obvious to some, but important enough to me to repeat.
zaterdag 13 september 2008
House MD or Doctor Melfi
McCain and Obama. Bare with me. From an archetypical point of view.
vrijdag 12 september 2008
right to healthy food
I know this is a bit of a western train of thought, but amma go with it anyways.
donderdag 24 juli 2008
one for the books
filed this one under..."hé I thought of that also a while back, but different. "
still a nice idea: blank2clothe
zaterdag 21 juni 2008
Lost in translation
The web is discriminating. The victim is: ME! In all seriousness, I have noticed the last couple of weeks that somehow I do not translate well on to the www. Whether it is via this blog, comments elsewhere or skype talks, important elements of the person I am are getting lost when I digitze myself.
2.0 is funny that way. In many ways it strips people down to the core of their being; their inner personality. And that's where I run into trouble. Not that I don't have one ( I actually think quite highly of myself, hah), but it's just words (in my case) that are used to convey who I am and what I believe. The physicality of human interaction is left out.
I feel I am being robbed of instinct. The web stripped me of the ambiguity I thrive on in real life. A certain look you give, a pause you take while speaking, how you walk in to a room, the fact that I am 6"7 or left handed. Gone.
Recently I played some poker online. And I went down in flames. It was clinical, without context and safe. Yet when seated at a table in a real life cash game, I hold my own, being able to fully explore the one element 2.0 is advocating, but I am missing; the human element. Does this expose me lacking fundamental math skills required for this game or exposes me to be a good soft skill player? How do you make such a judgement about a person? Do we start keeping tabs about online and off line feelings towards one another?
Would a nice template, some more pics, tweets, tags, clouds and streams enhance me on the web? Perhaps.. and yes the offline versions of tags and pics etc, are clothing and haircuts, make up etc, so If I do not translate well I should use the tools at hand better (get a make over of sorts), but there is still the loss of that ambiguity of flesh.
So what's my point: Will the web, like a great poetry translation, ever capture the nunaces of the meaning of people and convey them to full effect, or will it stay what it is now: a part of the picture that is editable to make you more or less than you really are. And if it stays this ways, but keeps gaining importance, where do I, we go from here?
vrijdag 6 juni 2008
fiending for it; what Kobe can teach business
It means what you think it means, but it's now being used in different contexts. Only to make a point of the extremes to which some people will go to get what they want. More severely, what they need. Kobe Bryant, for lack of more sophisticated terminology, is thirsty.
His thirst for another NBA title is that of an amplitude we may not have ever seen before. Not in sports, business, crime, corruption or politics. Keeping it community: He's thirsty like a fiend
maandag 5 mei 2008
stick and stones may break my bones, but don't forget about words
this post may seem abit all over the place, but since I will be out of orbit for a while I just wanted to put some stuff out there that has been festering in my mind of late.
I have noticed a sublte change in my vocabulary when talking to clients or when talking to creatives. To better make sense of where clients should go or what way creatives should view the problem the following changes have been slipping into my vocab and briefing.
1)Coherence vs Consistency
This one has been here some time now, but it's relevance still is great. It is not about the right CMYK codes or the right dimensions of the logo. it's about stuff making sense when it's out there. it shoud fit together like a music album, more then a math formula. the sum of the parts shoud be you (the brand, company, etc) but the individual parts should also be enjoyable on there own and still ouze some of your flavour. which brings me to the second vocab change...
2)Gestalt vs tone of voice
This is by no means a new distinction, but to me it's more and more important/back in vogue. Product parity makes for a use of advertising human emotions, but advertising parity and a lack of attention makes for the need to be recognizable in al the things you do. Gestalt is an old theory explained here. But the basic difference is that tone of voice is about presentation of one self. Funny, sarcastic, cool whatever. Gestalt is about owning something. it's about having a unique (tangible?) quality that cannot be applied to something else. all this is basically been influenced by me reading more about design, art, city plannig etc. Apple being a very easy example of this, particulary with their iphone, pod, ads.
See one can have a romantic feel attached to anything (almost),but for many the feeling of seeing the city lights of Paris from the Eiffel tower is not something that can be transported. That particular zone is owned by the Eiffel tower, due to it's physical elements. So while it's may be contrary to say coherence is more important then consistency and then to say non portable elements are more important then portable, I can just say, yes and yes. Can't explain it better yet. but you gotta be like a diamond, with many facets but still one diamond.
3) Finite solutions vs Infinite
It's all about this generation, this era. the sky is not the limit. How can you make a difference now without trowing everything at the problem but the kitchen sink. restrictions, discrimination are a couple of tools/ideas that are needed more and more to create something that has focus and leaves no burden for the next group to come along.
3)bold ideas vs Big ideas.
Can't realy put my finger on this one but it actually feels the most important. For me when I use the word big this is what I kinda think of.
The complicated, intricate elaborate scheme. Which is great, and can be/is still very usefull. Bold thinking on the other hand gives me a whole different feel, point of entry.
Bold makes me think of
or this
Perhaps this all is thin thinking and not very clear, but somehow bold can be /mostly is big, but big does not always mean bold. perhaps there is more of an rebelious streak to bold ideas then to a big idea. this one I will need to come back to...continue
4)Politics vs people
due to the nature of the problems challenges and demands of the current and future world, politics is more and more important. While the rise of the consumer/prosumer is a much talked about and has had great impact, politics is where the pendelum of true power is swinging back to. it's a realisation that we will not solve growing fuel prices, shortages in food. We, people, are firestarters, we are able to make things roll, but the big Mo come from running with the elected wolves. so what does this all mean? Reading fine print, finding pressure points to help people activate politicians that can move mountains, doing the non sexy stuff. while not every product lends it'self for all out politics, actualy every product does lend its self for politics. now matter how small we all leave a footprint that effects someone.
SO ask yourself, what small print can we use to make changes that riplle through society? just by thinking more about politics, (not ideoligical, but more practical), gets juices flowing that normaly don't move much.
anyways, these are words that have been changing my thinking and actions, as well as the actions of clients. If anybody has some other words that they feel have changed their points of entry into discussions, let me know...
I leave you now with some nice music and a not so sublte message. Dovidjenja!
Heard about the guy
who fell off a skyscraper?
On his way down past each floor,
he kept saying to reassure himself:
"So far so good...
"so far so good..."
How you fall doesn't matter. It's how you land!
vrijdag 2 mei 2008
Interesting Amsterdam
dinsdag 1 april 2008
Fraai magazine; free online mag for creativity
maandag 17 maart 2008
what if..there was a new type of photo album?
woensdag 12 maart 2008
what if...we collectively expressed our individuality
if you like the idea and have a decent name...please post a comment... If you have objections, please tell me those also..
vrijdag 15 februari 2008
playing for a better future
donderdag 31 januari 2008
rules for radicals, or start ups, or small companies, or just about anybody who wants to change stuff
RULE 1: "Power is not only what you have, but what the enemy thinks you have." Power is derived from 2 main sources - money and people. "Have-Nots" must build power from flesh and blood. (These are two things of which there is a plentiful supply. Government and corporations always have a difficult time appealing to people, and usually do so almost exclusively with economic arguments.)
RULE 2: "Never go outside the expertise of your people." It results in confusion, fear and retreat. Feeling secure adds to the backbone of anyone. (Organizations under attack wonder why radicals don't address the "real" issues. This is why. They avoid things with which they have no knowledge.)
RULE 3: "Whenever possible, go outside the expertise of the enemy." Look for ways to increase insecurity, anxiety and uncertainty. (This happens all the time. Watch how many organizations under attack are blind-sided by seemingly irrelevant arguments that they are then forced to address.)
RULE 4: "Make the enemy live up to its own book of rules." If the rule is that every letter gets a reply, send 30,000 letters. You can kill them with this because no one can possibly obey all of their own rules. (This is a serious rule. The besieged entity's very credibility and reputation is at stake, because if activists catch it lying or not living up to its commitments, they can continue to chip away at the damage.)
RULE 5: "Ridicule is man's most potent weapon." There is no defense. It's irrational. It's infuriating. It also works as a key pressure point to force the enemy into concessions. (Pretty crude, rude and mean, huh? They want to create anger and fear.)
RULE 6: "A good tactic is one your people enjoy." They'll keep doing it without urging and come back to do more. They're doing their thing, and will even suggest better ones. (Radical activists, in this sense, are no different that any other human being. We all avoid "un-fun" activities, and but we revel at and enjoy the ones that work and bring results.)
RULE 7: "A tactic that drags on too long becomes a drag." Don't become old news. (Even radical activists get bored. So to keep them excited and involved, organizers are constantly coming up with new tactics.)
RULE 8: "Keep the pressure on. Never let up." Keep trying new things to keep the opposition off balance. As the opposition masters one approach, hit them from the flank with something new. (Attack, attack, attack from all sides, never giving the reeling organization a chance to rest, regroup, recover and re-strategize.)
RULE 9: "The threat is usually more terrifying than the thing itself." Imagination and ego can dream up many more consequences than any activist. (Perception is reality. Large organizations always prepare a worst-case scenario, something that may be furthest from the activists' minds. The upshot is that the organization will expend enormous time and energy, creating in its own collective mind the direst of conclusions. The possibilities can easily poison the mind and result in demoralization.)
RULE 10: "If you push a negative hard enough, it will push through and become a positive." Violence from the other side can win the public to your side because the public sympathizes with the underdog. (Unions used this tactic. Peaceful [albeit loud] demonstrations during the heyday of unions in the early to mid-20th Century incurred management's wrath, often in the form of violence that eventually brought public sympathy to their side.)
RULE 11: "The price of a successful attack is a constructive alternative." Never let the enemy score points because you're caught without a solution to the problem. (Old saw: If you're not part of the solution, you're part of the problem. Activist organizations have an agenda, and their strategy is to hold a place at the table, to be given a forum to wield their power. So, they have to have a compromise solution.)
RULE 12: Pick the target, freeze it, personalize it, and polarize it." Cut off the support network and isolate the target from sympathy. Go after people and not institutions; people hurt faster than institutions. (This is cruel, but very effective. Direct, personalized criticism and ridicule works.)
maandag 28 januari 2008
note to self: grasshopper

Until you've got a better answer, you copy. I copied Bob Gage for five years. And Bob originally copied Paul Rand and Rand originally copied a German typographer called JanTschichold.”
woensdag 23 januari 2008
google generation don't do search
- They like to cut-and-paste. "There is a lot of anecdotal evidence and plagiarism is a serious issue."
- They prefer visual information over text. "But text is still important... For library interfaces, there is evidence that multimedia can quickly lose its appeal, providing short-term novelty."
- They multitask all the time. "It is likely that being exposed to online media early in life may help to develop good parallel processing skills."
donderdag 10 januari 2008
same game different name
I would propose that they are not ying and yang of popular culture, but momentary features of a larger thing. They just happen to capture a timeless mass appeal want and need in a way that fits: getting laid that is...
Constant change
Playa/pimp and geek in the this era = the martial arts expert/businessman/sports hero and funny sidekick in the 80's (think nick nolte and eddy murphy, tom arnold and arnold Schwarzenegger, maverick and his sidekick in top gun, sam malone and norm). Bruce Willis in Die Hard could be seen as the transitional form from modern to post modern hero..(but that is a different post for another time).
Sign of times
Would be interesting to see what the top American shows around the world are, and to compare them to the feeling about the future in countries around the world.









